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These are theoretical, simpler tunings/arrangements for setups with fewer than 10 strings / 5 individual tones. Each tuning has only one change per string, and they only sharpen. The notes I chose are only for reference with each other since scale length and gauge will determine the actual notes used.

This is a pair of raise-only setups separated by a third, and each provide slightly different ways of playing the same-ish base chords. I've paired them together since swapping between the two would be quite simple, with a 3 st key difference instead of 4 since it’d take 6 tuning adjustments instead of 8 to change between tunings and the static note would remain the same. Either way, Fm/Ab would work just as well since all tuning changes would only be half step increments.
Major open (C & Am)
RSP
EF +1st (3^4 / 5^6)
CD +2 (1^2 / 3^4)
B
GA +2 (5^6 / 7^1)
EF +1st (3^4 / 5^6)
CD +2 (1^2 / 3^4)
B
GA +2 (5^6 / 7^1)
openRSPRSSPRP*RSP
C w/o BIviIsIVvisii
C w BiiiiiiV7viiø
Am w/o BIIIiIIIsVIisiv
Am w BvvVII7iiø

Mediant open (A & F#m)
TRS
EF# +2st (5^6 / 7^1)
C#D +1st (3^4 / 5^6)
B
G#A +1st (7^1 / 2^3)
EF# +2st (5^6 / 7^1)
C#D +1st (3^4 / 5^6)
B
G#A +1st (7^1 / 2^3)
openTRSTRRSTS*TRS
A w/o BiiiIiiisviIsIV
A w BV7viiøii
F#m w/o BvIIIvsiIIIsVI
F#m w BVII7iiøiv

*impossible in a 3 pedal configuration paired with a volume pedal. Ideally, the setup should have at least one knee lever.

Examples*
2-1-2 tuning

I - IV - iii - V7 in D. Tab
*Simulated digitally. Ableton preset if you want it, it's only convincing when used for similar chord motions otherwise it obviously just sounds like a woodwind